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Her paintings are made in oil on linen and in pigment and ash on plaster — interiors, tools and shadows built up in thick, slow layers. The installations move the same attention into space: steel tube drawn at the scale of a room, glass sheets laid one over another, letters bent out of pipe.

She trained in visual arts at the Fundação Armando Alvares Penteado in São Paulo, where the thesis sala de leitura (2013) first set out the idea of reading a space by walking through it.